July 21, 2010
Last night was the third time I’d seen Jonny Lang in concert. The first was when he was just beginning his career—a teenage boy with a guitar. I couldn’t figure out how such a big sound and big voice could come out of someone so young.
I still can’t. Jonny has as much soul as that of a man in his 60’s.
Some are just born with talent, I guess.
Jonny took the stage Tuesday, July 20, 2010, at the Gothic Theatre in Englewood, CO. It’s a small venue that holds about 1,000. Built in the 1920’s, it’s rather tattered, with brick walls and old paint, but it has character—the perfect place to play the blues.
Lang ripped through his repertoire, combining some slow and some faster songs and always, ALWAYS putting his heart and soul into each piece. It’s almost as if he’s in his own world up there onstage, getting so heavily into the sound that he’s not even aware of anyone else in the room. I don’t mean this in a bad way, because in order for others to be able to relate, an artist has to expose his or her soul with raw honesty. That’s when great art shows us parts of ourselves.
In this department, Jonny never disappoints.
His performance took me out of myself to the point where I leaned over and said to the man next to me, “You know it’s good when the music makes everything feel right with your soul.”
To a packed house, Lang played “Breakin’ Me,” “Turn Around,” “Red Light,” “Rack ‘Em Up,” and “I Am” to name a few. But my favorite was “Lie to Me,” which he started out acoustically, then switched to electric guitar and really kicked it in the ass. With his face writhing between agony and euphoria and sweat flinging off him, Jonny and his band tore the place up.
This is what the blues is all about.
Jonny Lang is what the blues is all about.