Loss of Legends

Posted July 1, 2009

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There are so many things I should be doing other than writing about this, but the unexpected death of Michael Jackson has thrown me into a tailspin. Death does that to us. Just when we think we’re going on our merry way, thinking we need to make sure we put the trash out on Tuesday, or get the bills in the mail before they’re late on the 15th, suddenly we are body-slammed by something much more powerful, something that makes us realize how very precious each day is.

I was expecting Farrah Fawcett’s death, but it was still a tragic loss. What a beautiful lady she was; she had indomitable class and she presumably maintained those qualities right up until the end. I used to love watching her on “Charlie’s Angels” in the ’70s and my brother had her famous poster on the wall in his bedroom. Farrah and her fellow actors back then—Jaclyn Smith and Kate Jackson, showed us that women can be both sexy and strong.

Unfortunately Farrah’s death was overshadowed by that of Michael Jackson’s…

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My youngest son came home from work and told me the news. As when I heard about the death of John Lennon, at first I thought it was a joke.

And to a lot of people, apparently it is a joke. While I was in the grocery store the other day, I overheard a man at the check-out telling jokes to the clerk—jokes about Michael Jackson’s and Farrah Fawcett’s deaths. I can take a joke with the best of them, but when I heard what he was saying, something cold and slimy seemed to crawl up my spine. I wanted to say, “Have some respect for their families, will ya?” but I knew if I opened my mouth, I’d be inviting trouble with a man who had already passed judgment on a person he didn’t even know.

The fact remains that none of us will ever know what really happened with Michael and the boys he was accused of sexually molesting. Sure, like O.J. Simpson, he was acquitted. But I have a different opinion of the O.J. case and I won’t go into that. Michael, on the other hand, was a different story. While he was obviously an eccentric person, I’d like to give him the benefit of the doubt about the molestation. (I am in no way condoning his behavior however.) Not because he’s dead, but because from what I’d seen on television and the news, Jackson was robbed of his own childhood. Because of this, he seemed to spend his entire life searching for it. I remember seeing an interview with him once. Michael climbed up in a tree and the reporter on the ground below him asked, “You’re 45 years old, Michael, aren’t you a little old to be climbing trees?”

“It’s fun!” Michael chirped, “you should come on up!”

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Eccentricities aside, Michael Jackson was and always will be an icon. I saw him carry the huge responsibility of being frontman for The Jackson 5 when they first appeared on TV with their huge afros. How cool that was! He was the same age as me when they became famous. I can only imagine the immense burden this role would be on anybody, much less a child. And he went on to change the world; Michael truly did bridge a gap between races. His music appealed to all; his dancing talent inferior to none.

What makes someone a celebrity in the first place, is the fact that their personification reveals a part of ourselves many of us have a hard time getting in touch with; it doesn’t matter if we like them or not.

And whether one feels disdain toward him or awe, the name of Michael Jackson has affected us all. Let us not dwell on the negativities associated with his name, especially since the worst of his accusations was never proved. Perhaps it is our own insecurities and inequities that produced the sad and lost soul that tormented him in the first place. Let’s heal his wounds right now by not carrying them, in the form of our judgments, any further. Let’s remember the man for the gift of love and immeasurable talent he gave the world.

May you rest in peace, Michael, thank you for brightening my life with your music.

May you rest in peace, Farrah, thank you for showing me that true beauty can also be strong.

Movie Review: “This Is It” –Michael Jackson

Nov. 2, 2009

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We arrived at the theater early so we could get a good seat. I thought we’d have to wait in line forever. I thought the place would be crammed with fans wearing one white glove, Michael tee shirts and holding “I love Michael” signs.

It wasn’t.

This alone made me sad.

Maybe it’s my age, I thought. Or perhaps it’s where I live—maybe a lot of people have espoused the belief that Michael Jackson was a pedophile.

I’ve posted my feelings about that before, so I won’t go into it here. See my entry of July 1, 2009 if you’re interested.

Whatever the reason, there were only a handful of people in the theater. Too bad for those who didn’t make the effort.

I have one word for this film: SPECTACULAR.

It wasn’t about Michael Jackson’s plastic surgeries, “Neverland” or the allegations brought against him in the past. “This Is It” was about the man’s musical genius. Period.

And he was. He transcended gender. He transcended race. And in this movie, he transcended the ultimate performance.

I have never been what you would call of fan of Jackson’s. I don’t even own any of his albums, and as my husband and I walked out of the theater the other night, I realized why. It’s because Michael was like my brother. I didn’t need to buy his music, he was just always there; I grew up with him. He and I were about the same age and I distinctly remember seeing him on TV way back in the ‘70s, wowing audiences as he outshined his brothers as lead singer of The Jackson 5—with their loud, striped, bellbottom pants, puffy ‘fros and all. I was rooting for him way back then, like a sister on the sidelines.

“This Is It” is footage from the long-anticipated Michael Jackson tour that never happened. It shows dancers auditioning and working tirelessly to give a perfect performance. It shows the sound people, musicians and special-effects crew. The sheer volume of people involved, not to mention the amount of money and props it must have taken to put on a live show of this magnitude is something I’m sure I could never comprehend. There were life-sized bulldozers, giant spiders, a cherry-picker, a black and white mini-film with Jackson spliced into Humphrey Bogart movies for “Smooth Criminal,” a complete theatrical graveyard scene for “Thriller,” a short jungle piece showing all kinds of animals and a little girl with a dream for a new world, and pyrotechnics to blow your mind. These are just the ones I can remember, and each one was a separate production of its own, done sparing no expense in any aspect. Everything was over-the-top perfect plus another 75 percent.

And then there was Michael. Looking extremely thin (I’d read somewhere that he weighed about 130 lbs. when he died), he was dressed in sequined jackets and layers of shirts, soft-spoken and rather timid, repeatedly telling people “God bless you” and “I love you.” But when he sang and danced, I realized that Michael had to have been the most talented performer the world will ever know. Even though these were only rehearsals, his moves were so spot-on precise, they seemed almost computerized. How could anybody dance like that? The film showed clips of “Human Nature,” with Michael bathed in pink and purple lights singing “Why? Why?” and it brought tears to my eyes. His intensity, his thirst for perfection and the depth of his soul was nearly palpable, and he wasn’t even giving it all he had; he was saving his voice and strength for the real performance yet to come.

There were a few shots of the Jackson 5 on a split screen, dancing and showing their explosive beginning. There were clips of Michael singing “I’ll Be There,” and it really moved me—the sound of his velvety voice with just the right amount of vibrato, combined with his complete command of his body—a finely-tuned instrument in kind, was amazing.

During “Billie Jean,” someone in the theater behind me actually shouted “Woo hoo!” and it made me smile. Jackson moved his body like ocean waves, flowing from the bottom up and the top down, and the way he looked right into the camera at one point, gave me a glimpse into his soul. What I saw was beautiful.

Throughout the film, I kept trying to think of how I could describe the power, the beat of his songs—so different from what I usually listen to, but larger than life, like Michael was. For lack of a better term, it was professionalism and sheer talent above and beyond, and it pulled me into its heart the way great music does. And I thought too, about how he had become a puppet for our amusement, with a sad and serious face who only smiled once. (I realize these were rehearsals for his big tour, and that’s serious business, but from watching this, I didn’t get the feeling that Michael was happy.)

I thought Aerosmith put on a high-tech, high energy concert, but every live show I’ve seen, now pales in comparison to what Jackson was doing.

I had no idea.

After watching “This Is It,” all I can say is that I desperately regret that I had never seen Michael perform live at least once. It made me realize too, how short and unpredictable life is and that I should do more of the things that make me happy and do them more often.

If you’re in the least bit inclined to go see this movie, DO IT NOW while it’s still on the big screen for another week or so.

PASSION, TRUTH AND SELF-DISCOVERY THROUGH MUSIC and WRITING

 

After interviewing Tiffanie DeBartolo, author of the film, “Dream for an Insomniac,” and the books “God-Shaped Hole” and “How to Kill a Rock Star,” with two more on the way, I realized that our discussion was all about passion in music and how it helped each of us discover our personal truths. Passion is an emotion. Emotion is the language of the soul. What we feel passionate about brings us joy. Joy brings us to God. (And it doesn’t matter what one’s definition of God is because that word means different things to different people.) What we feel passionate about is the very thing that will bring us self-discovery, transformation, enlightenment—God.

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