Song List for “Dance of the Electric Hummingbird”

Here are the songs mentioned in DANCE OF THE ELECTRIC HUMMINGBIRD and the links to purchase them:

“Dreams” – Van Halen

“Pages” – 3 Doors Down

“Nothing Else Matters”  – Metallica

“Crush” – Dave Matthews Band

“Love Walks In” – Van Halen

“Can’t Stop Lovin’ You” – Van Halen

“Rock Candy” – Montrose

“Looking For Your Face” – Jared Harris from “A Gift Of Love: Deepak & Friends Present Music Inspired By The Love Poems Of Rumi”

“Imagine” – John Lennon

“Eagles Fly” – Sammy Hagar

“Poundcake” – Van Halen

“Top of the World” – Van Halen

“Live: Right Here, Right Now” – Van Halen

“Open” – Sammy Hagar**

 

 

**This song was released only on iTunes as a single. It is no longer available, however, there may still be some videos of it on Youtube.

 

Writing Update Aug. 7, 2009

Father son ocean

So many amazing things have happened to me over the past few years, that when I was given the invitation to submit an essay about what was important to me, I jumped on it.

The “This I Believe” organization has published my essay entitled “From Ordinary to Extraordinary” and it’s now online. I guess they’ve had a lot of trouble with their website, because they notified me in June that my essay was published and I was only able to find it recently.

Please check it out if you’re interested!

You can view it by clicking here: http://thisibelieve.org/essay/65675/

As far as progress for my book, I have finally finished what I hope to be the last really major revision (of my own doing, that is). In between work and family, it has taken me more than 10 weeks to complete. I’m giving the manuscript to my editor next week and we shall see what transpires after that. This time I really feel DONE though. I’m feeling really good about it, although I know it’s waaaay too long—100,000 words and needs to be cut back. That’s where the expertise of someone who’s objective comes in; one tends to become rather fond of one’s own words sometimes!

So please stay tuned. I have a lot of posts in the works and ready to add to my blog; I’ve just been working like mad trying to finish my book.

Here are some samples of what’s to come: “Rock ‘n’ Roll Hell is Heaven,” (about Aerosmith), “Drummers and Mysticism,” “Mitochondrial Eve,” “John Donne’s Holy Sonnets” and more!

Rock ‘n’ Roll Hell is Heaven

Aug. 11, 2009

Aerosmith stage curtain

Author’s note: I wrote the following over a week ago. It has since become news that Aerosmith’s lead singer, Steven Tyler, fell off the stage at the Buffalo Chip Campground during their concert in Sturgis, SD on August 5, 2009. According to www.rapidcityjournal.com, Tyler was reported to have broken his shoulder and sustained stitches in his head.

Godspeed and healing, Steven!

(Aerosmith stage curtain photo by maduarte)

* * * * * * *

My sons say I’m out of the loop and that may be true to some extent. During the late ‘70s and most of the ‘80s when others were enjoying rock ‘n’ roll, I was busy trying to survive as a single mom, so I missed out on a lot. But I’m making up for it.

I guess there has to be a first time for everything, and Aug. 1 was the first time I’d seen Aerosmith in concert.

They played with ZZ Top at Fiddler’s Green in Denver. The ticket price was outrageous, but I’d been reading a lot lately about the many injuries the members of Aerosmith have sustained during the past few months so I figured I’d better go and see them. It may be my last chance to experience one of the legendary rock bands of my generation.

Lead singer Steven Tyler had recently had a bout with pneumonia and pulled a muscle in his thigh, warranting the cancellation of several scheduled stops on this tour. You can’t very well replace a lead singer with a voice and face like his. Bass player Tom Hamilton survived throat cancer a few years ago and is currently recuperating from “non-invasive” surgery. David Hull, who played with Aerosmith in the past, is now covering for Hamilton. Guitarist Brad Whitford hit his head and had to have emergency surgery, requiring him to sit out several shows. Lead guitar player Joe Perry had to have knee replacement surgery twice.

See what I mean? So I paid the $150 per seat ticket price and went. A man sitting next to me said that his friend had done sound or something for them years ago. “Even the Grateful Dead said they’d never seen anyone who did as many drugs as Aerosmith,” he told me. I guess it’s a miracle they’re still kicking.

Aerosmith Denver

Anyway, I won’t critique each song or style because I’m not intimately familiar with their music. However, I will give you a first-timer’s perspective.

ZZ Top opened the show and they always rock. I’ve seen them before and it never ceases to amaze me that a three-piece band can put out such a big sound.

Aerosmith came onstage when the sun was going down. They played most of my favorites: “Sweet Emotion,” “Dream On,” “Rag Doll,” “Walk This Way,” “Dreamweaver,” and “I Don’t Want to Miss a Thing.” They sounded great although Tyler and Perry seemed winded much of the time. It was the altitude in Denver, I’m sure. Not an out-of-state singer’s best friend.

Every live show I’ve seen recently has had one aspect that really stuck out for me. This time it was Steven Tyler. He has to be the consummate rockstar—the very embodiment of the word. At 61, he still looked and sounded fabulous. He was dressed in silver, glittery tight pants that accentuated his tight ass and his lean, toned body. He wore a black tank top with the Aerosmith logo on it in rhinestones and had about 10 bracelets on each wrist. His fingernails were painted with a strip of black down the center of each one.

Now I’m not normally one who thinks men who wear makeup and nail polish are sexy, but I have to admit, Steven Tyler is sexy.

He knows how to hold his body and his long thick hair just right to create maximum effect. He has all the rockstar moves down to a science—perfect spins, suggestive poses, hip thrusts, and a special mic stand which he hauled everywhere. It had his initials painted on it and was decorated with sheer and glittery scarves that hung to the floor. He used them to slide back and forth between his open legs or wrap around his face throughout the show. Several times, he demonstrated his proficiency on harmonica and once on drums.

Aerosmith Denver2

The lighting was the most elaborate setup I’d ever seen. No wonder this concert cost so much! Colored lights on huge sections moved up and down above the band, there were smoke machines and fans to blow the performer’s hair and clothing just right, even a fake fire flaming around Joe Perry during one solo. Above the stage were four large screens that moved up and down and played various scenes or showed close-ups of the concert. My favorite was when each screen had huge moving flames on it. Combined with the music, the smoke and the red and orange bars of lights and single lights whose beams crisscrossed across the stage, I felt like I was in rock ‘n’ roll hell and it was heaven!

Joe Perry did an amazing job. Like Tyler, Perry is another consummate rocker—he has that refined, rock star attitude. The tour was called “Guitar Hero: Aerosmith Presents Aerosmith,” and was a combination of the game and Perry playing live. He had a duel with his Guitar Hero caricature after which, he asked the audience: “Who won the match—me or the cartoon?”

Of course there was no comparison.

At one point, ZZ Top’s Billy Gibbons came out for a jam session. It seemed that touring with Aerosmith has affected “That Little Ol’ Band from Texas,” because they brought out an extra amount of spice from one another. And Gibbons’ voice, well, like Tyler’s, is legendary. Uh hm, hm, hm…

From the opening blast, where the stage curtain dropped to the floor, revealing thousands of shooting lights, the sparkling performers and the thunderous music, I was so glad I went. These boys may be getting up in years, but you’d never know it to see them; they still have it. And they’re doing it up in a big way—rock ‘n’ roll that pounds the “Sweet Emotion” out of you the way it should be!

Melissa Etheridge Gives Colorado a Piece of Her Heart

Aug. 22, 2009

Melissa Etheridge2
Melissa Etheridge
is one performer I’ve always wanted to see live in concert. Since the late ‘80s, her raspy Janis-Joplin-vocal-style has always fascinated me.

I’m not one who’s normally impressed by singers with harmonious voices that sound like the trickle of water in a backyard pond as it slides over carefully-polished stones (although I love Bocelli). My soul is stirred by the ones who scream from deep down in their personal torments of love, anger, frustration, elation, and blow those sweet, meticulously-placed rocks to bits.

Melissa does this. Has always done this.

Melissa Etheridge4

On August 15, 2009, she performed for Bohemian Nights 2009 in Fort Collins, Colorado, as part of her “Live and Alone 2009” tour. She took the stage with just her guitar, but then played piano during a rendition of a Joan Armatrading song. She also played harmonica, telling the audience that a solo performer sometimes needed a harmonica. Nice reference to Dylan.

Etheridge, who is a breast cancer survivor, said that she now sees life in a new way, and one of her most passionate songs was “I Run for Life,” about that very thing. “I run for the truth, for all that is real,” she sang. The message that came through was the unselfish need to be there for others, to remind them that the “C” word is not a death sentence. I can’t think of a better purpose for a song than to inspire others.

This was powerful and her sincerity contagious.

She also played a lot of my favorites: “Chrome Plated Heart,” “Like the Way I Do,” “Bring Me Some Water” (which has always been my favorite Etheridge song), “Come to My Window,” “I’m the Only One,” and “I Want to Come Over,” in which I could feel her longing for understanding pounding out with every syllable.

Melissa’s appeal is her honesty. I heard so much angst in her songs—the kind that flows in the veins of great rock music and merges with the chords like a potion that heals from the inside out. Her music is clearly a yearning for self-understanding—isn’t that what we all long for?

Melissa Etheridge 058

She also sings a lot about angels and love, but not in a soft way. Melissa’s got rock ‘n’ roll boots and she’s going to stomp you with them!

Like most out-of-state musicians, she seemed a bit winded due to the altitude, but toward the end of the show, she really kicked it into gear: hair flying and literally beating the notes of out her guitar. For an encore, she did a Janis Joplin tune “Piece of My Heart.” I don’t know a whole lot about Melissa, but Joplin had to have been a very big influence for her musically.

Toward the end of the concert, a college-aged girl next to me in the crowd was jumping up and down, pumping her fist in the air and screaming at the top of her lungs, causing those near us to stare. She kept apologizing to me, saying: “I’m really sorry; I swear I’m completely sober. Melissa is my very favorite!”

I just smiled. “You don’t have to apologize. You’re supposed to have a good time. That’s what it’s all about!”

And that’s also the difference between a person who merely gets up onstage and plays a guitar and someone who makes you feel it!

I was even lucky enough to get one of Melissa’s guitar picks. (I collect them.) On one side, it says: “The Dreams We Create” —another positive omen for me, I take it.

Melissa Etheridge3

The madness… the magic… the music…

March 29, 2009

From the perspective of someone who has seen Sammy Hagar in concert more times than I can count, I can tell you his appeal is something that can only be appreciated by watching him perform live. His recordings are great; there are some I like more than others, but they don’t come close to the fever he generates between himself and his fans while he’s onstage.

Sammy tours all over the world, but he also does an annual week-long series of concerts in Cabo San Lucas, Mexico to celebrate his birthday in October.

No matter where he performs, Sammy includes the audience as part of every show. From the front row to the back, he’s in your face. He sweats on you, throws tequila on you, shares his drinks with you. Sometimes he pulls you onstage with him or holds the mic for you to sing a few words. (Which isn’t always a good thing in my case.) You never know what to expect.

He signs everything the fans offer—from bare body parts to album covers, posters and tee shirts.

His concerts are not just concerts; they’re wild, explosive parties, sometimes complete with confetti and balloons. Always with tequila.

Sammy Hagar in concert by Baja Rock Pat

 

Sammy Hagar Cabo Wabo by D. Walker

Considering all the concerts by various big name rock or blues bands I’ve attended in my life, I have never seen anything like Sammy’s shows. At 61, Sammy has the energy of a 20-year-old. And when I’m in the audience, he makes me feel 20 again too.

During every show, between songs, Sammy talks to the crowd as if they are his best friends.

He has said more than once, “I know most of you on a first-name basis!”

It’s true.

He tells the audience things about his personal life in graphic detail.

The first time I heard this, I was shocked, but at the same time, I liked it. He was so bad… he was so good. He was genuine and didn’t care who didn’t like it.

Even now, he never fails to surprise me.

In interview after interview, Sammy reiterates how much his fans mean to him. In song after song, he sings about pursuing happiness and treating others the way you want to be treated. He strives to make people happy and show them a good time. And he succeeds.

Why else would middle-aged men and women—doctors, truck drivers, homemakers and insurance salesmen use their hard-earned money to fly to Mexico, spend entire nights sleeping on the cobblestone sidewalk merely for the chance to get tickets to see Sammy perform? It’s insane!

Sammy Hagar Cabo Line 2006

Sammy Hagar's Cabo Wabo 2006

You have to see Sammy in concert to understand.