Chickenfoot “Owns” San Francisco’s Fillmore

May 20, 2009

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My body hurts all over; it’s wrung out like a wet rag. My right ear hasn’t quite come around yet either.

Chickenfoot’s performance at the Fillmore in San Francisco, CA on May 17, 2009 was the concert of a lifetime.

I knew I was in trouble when the first song, “Avenida Revolution,” a balls-to-the-wall song about the perils of Mexican immigrants, pounded from the speakers like an iron fist slamming down hard on the stage. Or maybe the biggest erection known to humankind.

I was already overpowered.

Joe Satriani on guitar, Sammy Hagar on vocals, Chad Smith on drums and Michael Anthony on bass came onstage in a burst of sonic boom that felt like the world was splitting open, its internal organs shooting upward to the stratosphere like a volcano OD’ing on testosterone. It bounced off the back walls in some sort of sweet rage/euphoria and rolled like breeding thunder through the audience.

And it never let up. 

This was not Hagar fronting a band, Satriani fronting a band, or even Smith or Anthony fronting.

Chickenfoot has their own sound.They’re not a “supergroup” who will dissolve after one album. God Ihope not. They have too much to offer. Their personalities and talents meld as if they  should have been a band a long time ago.

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I expected to be wowed by Satch. And I was. Years ago, after having watched Eddie Van Halen perform live, I described his guitar as being his arm—an extension of him. And I was duly impressed.

But Satriani’s guitar was not an appendage. For lack of a better term, and I hate to use this because it’s cliché, he was one with it. The guitar was Joe and Joe was the guitar. The sounds he created through its body with unparalleled ease were beyond what I’d hoped to see. He added a new vision to the music—quenched a thirst for the extraordinary.

The one who really surprised me was Chad Smith. I had previously thought that the drummer’s job, along with that of the bassist, was primarily to hold the rhythm together, to keep everyone on beat. I was sorely mistaken. Chad did not politely keep time; he was not merely background noise, he was a voice demanding to be heard from the first explosive thud, an integral element. His contribution to Chickenfoot raised the bar many notches.

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Sammy’s voice never sounded better. It was full of depth, and yet maintained the huskiness that makes a rock singer great. He looked amazing. He sounded amazing. He demonstrated new techniques with his voice that gave Chickenfoot a fresh and innovative sound.

And Mikey hammered his bass, never missing a chance to make his personal statement with his distinctive backing vocals, the ones that helped make Van Halen famous.

Not one of them overpowered the others, and each gave 200 percent. They were dripping with sweat before the first song ended.

From the moment they took the stage, Chickenfoot commanded the sound with the expertise of professionals who had risen above that title to the point where their art flowed naturally; it was not contrived. They had earned the right to enjoy themselves while allowing us a peek into their secret passions.

The music dumped into me with such intensity and felt so damn wonderful, it was almost agonizing. There’s a fine line between pain and pleasure anyway, isn’t there? Especially in rock ‘n’ roll.

When they played “Learning to Fall,” my body felt like it was being wrenched by some out-of-control dictator. And I couldn’t stop the tears. The music was phenomenal; the harmonies impeccable. It sounded like there was an entire symphony surrounding me.

It is both glorious and infuriating to be manipulated by an outside source like that.

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Another highlight was Chickenfoot’s rendition of Deep Purple’s “Highway Star.” It transported me back to my teen years when life was filled with the joy of listening to captivating rock music with good friends. “Machinehead” was one of the first albums I’d ever purchased.

Sammy did a fantastic job singing Ian Gillan’s incomparable lead vocals.

Chickenfoot’s entire performance tore me up bad. And yet, I felt like I was the contender who’d won the match. I knew at the time that I was going to be hurting afterward; I just didn’t care. It was so worth it.

I think the critics who have dissed Chickenfoot have based their opinions on the 30-second snippets on the Internet or perhaps from the teasers on Chickenfoot’s website.  These samples do not showcase the brilliance of their material. Not even close.

If hard rock music is in your blood and you are presented the opportunity, you owe it to yourself to see Chickenfoot.

You’ll regret it if you don’t. Sammy Chickenfoot cropped

 

Setlist:

Avenida Revolution
Soap on a Rope
Sexy Little Thing
Oh Yeah
Runnin’ Out
Get It Up
Bitten By The Wolf
Down the Drain
My Kinda Girl
Learning to Fall
Turnin’ Left

Encore:
Future in the Past
Bad Motor Scooter
Highway Star

What a crazy name for a rock band!

May 14, 2009

Maybe their name is crazy, but their music will knock your socks off.

Chickenfoot is the new band featuring musicians already famous for their memberships in other groups: Sammy Hagar on vocals, guitar virtuoso Joe Satriani on guitar, Michael Anthony (former bass player for Van Halen) on bass and Chad Smith, Red Hot Chili Peppers’ drummer on drums. They’ve taken a lot of heat for their name, which started out as a joke and stuck.

I first heard them play in Las Vegas in 2008. The concert was supposed to be Sammy & the Wabos.

Chickenfoot Las Vegas 08

But toward the end of the show, Sammy announced that he had special guests waiting offstage who were dying to come on and play. That’s when Mikey, Joe and Chad made their entrance.

The four of them played a three-song set that included Led Zeppelin’s “Rock ‘n’ Roll” and Traffic’s “Dear Mister Fantasy.” The audience was ecstatic.

Since then, Chickenfoot has recorded its first album, due for release on June 5, 2009.

The band is doing a “Road Test” tour which includes nine small venues around North America before they head off to Europe. They will be back mid-July to play larger venues in the US. For more information, please visit the Chickenfoot website.

True to all the synchronicities that have fallen into my lap since my mystical experience at Sammy’s show in 2003, my husband and I somehow obtained last-minute tickets to the sold-out show in San Francisco on May 17. It was obviously meant to be, for reasons presently unknown to me. But like all the other coincidences on this wonderful journey, I’m sure the reasons will be forthcoming.

Until then, I am honored to be a part of rock music history-in-the-making and will return home with more stories. Stay tuned!

Chickenfoot – Learning to Fall

May 14, 2009

I can’t remember the time I have been so moved by a song.

“Learning to Fall” speaks to every cell in my body as if it were part of me. I can almost feel its spirit rising in my soul like the smoke of sweet jasmine incense.

There is something beyond the words here, beyond the melody. It drifts just below the surface and weaves itself with Joe’s guitar and the beautiful flowing harmonies.

I don’t think I’ve ever heard Sam’s voice contain so much depth. It reveals something intimate about him that he feels compelled to share and yet wants to guard because maybe it’s just a little too personal to give away—and would they get it even if he did?

But it shines through anyhow; he can’t help it, and it glides and caresses like fine cognac slipping down your throat and warming your insides.

You can’t hang a name on that feeling; you just have to allow it to move through you and enjoy its spell.

And listen to the song again.

A Gift Of Love: Deepak & Friends Present Music Inspired By The Love Poems Of Rumi

A Gift Of Love: Deepak & Friends Present Music Inspired By The Love Poems Of RumiApril 23, 2009

It never ceases to amaze me how things have fallen into place since my mystical experience at Sammy Hagar’s concert in 2003. I take one step and the next already seems laid out for me. I can hardly not stay on this path. It’s as if the Universe has dictated its certainty since longer than the concept of time.

Last December, I happened upon this CD–selected writings of Rumi read aloud by celebrities such as Madonna, Deepak Chopra, Blythe Danner, Demi Moore, Goldie Hawn, Debra Winger and others. Rumi was a 13th century poet, Sufi and mystic who composed over 30,000 amazing verses.

As I listened to the online sample of this album, I heard Demi Moore’s beautiful voice reading one of Rumi’s poems, “Do You Love Me?”

The words took my breath away. My intellectual mind told me that the poems were written by a man for his lover, but when I listened, the words perfectly described the mystical experience I’d had years earlier. They sounded like something I wish I would have written to illustrate the connection with God I’d felt so fully.

Where does God end and lover begin?

God does not end. God is the ultimate lover, as my experience was the ultimate high. I saw profoundly in that moment, that love, lover and Beloved are one.

God is a constant that permeates and comprises each grain of sand, each human being and each note of music.

In the following video, Jared Harris reads Rumi’s poem “Looking for Your Face.” It is the best example I can give you of how I felt during my soul’s revelation one hot night in Mexico; my entire being floating in the ecstasy of discovering my truth in the “face” of God:

Video by: DrBillRamos

The Agony and the Ecstasy: Having it All

April 5, 2009

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Publishing your most intimate thoughts is like clawing your way into your own guts, pulling them out while they’re still throbbing and oozing and holding them above your head for the world to pass judgment upon. Once they’ve been ripped out, you can’t put them back.

When those words are exposed, they are metaphorically tossed to the mercy of the critic’s sword which has the power to fashion them into gold or slice them to ribbons.

Which will it be this time?

Gold.

Last weekend, I attended my second writer’s conference. These gatherings are a means for those of us who adhere to the calling of writing, to network with fellow authors, booksellers, publishers, agents and like-minded ilk.

During one of the workshops, for the first time, I pitched “Dance of the Electric Hummingbird” to literary agents. I also submitted a few pages to be read aloud before a large audience which included more agents. I was astounded by the reviews my book received from the professionals:

“Fascinating!”

“Agents are going to eat this up!”

“Well-written.”

And while I was deeply honored to have received this feedback, an even greater gift was about to be bestowed upon me…

Wrapping up the two-day seminar, the keynote speaker was a woman named Trish Downing. Prior to 2000, Trish had been a competitive cyclist and an avid swimmer, working toward her goal of one day competing in the Olympics. Then something happened that forever changed her life. While riding her bicycle, she was struck by a car and paralyzed from the chest down.

In spite of this, Trish went on to become the first female physically-challenged athlete to finish the Ironman Triathlon (2.4 mile swim, 112 mile bike and 26.2 mile run).

Trish Downing

As I watched her maneuver her wheelchair up the ramp to address the crowd last Saturday evening, Trish’s presence didn’t make me think: What a waste. In fact, the more she spoke, the less I noticed her wheelchair. Instead, what I saw was a beautiful young woman whose liquid brown eyes were filled with a depth most of us never realize. It was something solid and real that could only be delivered from the soul of a person who was not only motivated to succeed, but by someone who cared enough to show the rest of us that we mustn’t be hindered by our own “wheelchairs.”

While Trish told her story, I thought about all the events in my life that had led me to the place where I found myself at that moment.

Sitting at a round table adorned with a white linen tablecloth, the remnants of my half-eaten slice of cheesecake wallowing in strawberry sauce on a glass plate in front of me, I suddenly realized how blessed I was. And it wasn’t because I was thinking: There but for the grace of God, go I.

Trish enriched me as a human being and it went beyond the fact that she had overcome great adversity. She showed me that all of my dreams had already come true.

Like Trish’s triumph of crossing the finish-line despite great odds, I too, had crossed my own finish-line. Not by overcoming hardships anywhere near what she had been dealt; this was not a contest over whose accomplishments were superior. My finish-line that day was having survived the culmination of years of hard work and preparation: a weekend filled with the stress of having to pitch my book (fling my guts to the proverbial sword) combined with the exhilaration of making new friends, colleagues and contacts and learning skills to improve myself as a writer.

I thought about the process of writing my book: the frustration of sometimes being unable to make the words sound right, the countless hours of revising the text, eating on the run or sleeping too little. I thought about my self-inflicted guilt for allowing mounds of dust to build up on my living-room furniture, for sacrificing spending time with those I loved in order to “fix this chapter” or forgetting to pay the bills.

And I thought about my family, friends, co-workers and the new acquaintances I’d made that weekend, including Trish, who had directly or indirectly offered their support of what I loved to do most of all—write.

I also thought about Sammy Hagar, all the amazing things that had happened to me as a result of the mystical experience I had at his concert six years ago, the vast opportunities he has so unselfishly granted me and the world he has opened up for me—the “me” he has opened up for me. Because of this mystical experience, every step I have taken since that moment has brought me more joy and fulfillment than I ever dreamed possible. I have experienced things I never could have conceived of—things that have advanced my soul in huge ways. And I have met incredible people.

Without any of them, I wouldn’t be in this place of spirit where I find myself at this moment.

As I listened to Trish speak about never giving up on one’s goals that night, I realized I had already achieved mine.

Everything was perfect in my life. It was perfect in spite of the fact that I hadn’t slept for the past two nights because I had been so nervous, or that my stomach was churning because I had eaten cheesecake and I’m lactose intolerant. It was perfect even though I didn’t have all the “things” I wanted or that my grey hairs were multiplying along with the lines on my face.

It suddenly didn’t matter if my book was published or if I accomplished another thing.

All that matters is what I am RIGHT NOW.

I already have it all.

The madness… the magic… the music…

March 29, 2009

From the perspective of someone who has seen Sammy Hagar in concert more times than I can count, I can tell you his appeal is something that can only be appreciated by watching him perform live. His recordings are great; there are some I like more than others, but they don’t come close to the fever he generates between himself and his fans while he’s onstage.

Sammy tours all over the world, but he also does an annual week-long series of concerts in Cabo San Lucas, Mexico to celebrate his birthday in October.

No matter where he performs, Sammy includes the audience as part of every show. From the front row to the back, he’s in your face. He sweats on you, throws tequila on you, shares his drinks with you. Sometimes he pulls you onstage with him or holds the mic for you to sing a few words. (Which isn’t always a good thing in my case.) You never know what to expect.

He signs everything the fans offer—from bare body parts to album covers, posters and tee shirts.

His concerts are not just concerts; they’re wild, explosive parties, sometimes complete with confetti and balloons. Always with tequila.

Sammy Hagar in concert by Baja Rock Pat

 

Sammy Hagar Cabo Wabo by D. Walker

Considering all the concerts by various big name rock or blues bands I’ve attended in my life, I have never seen anything like Sammy’s shows. At 61, Sammy has the energy of a 20-year-old. And when I’m in the audience, he makes me feel 20 again too.

During every show, between songs, Sammy talks to the crowd as if they are his best friends.

He has said more than once, “I know most of you on a first-name basis!”

It’s true.

He tells the audience things about his personal life in graphic detail.

The first time I heard this, I was shocked, but at the same time, I liked it. He was so bad… he was so good. He was genuine and didn’t care who didn’t like it.

Even now, he never fails to surprise me.

In interview after interview, Sammy reiterates how much his fans mean to him. In song after song, he sings about pursuing happiness and treating others the way you want to be treated. He strives to make people happy and show them a good time. And he succeeds.

Why else would middle-aged men and women—doctors, truck drivers, homemakers and insurance salesmen use their hard-earned money to fly to Mexico, spend entire nights sleeping on the cobblestone sidewalk merely for the chance to get tickets to see Sammy perform? It’s insane!

Sammy Hagar Cabo Line 2006

Sammy Hagar's Cabo Wabo 2006

You have to see Sammy in concert to understand.

JUST LISTEN TO IT!

March 23, 2009

A lot of amazing things have happened to me over the past few years–supernatural and mystical experiences. Many of the events involved concepts I wasn’t quite sure I believed in until they actually occurred in my life. They were so strange and wonderful that I wrote a book about them. Since much of what happened has to do with music–Sammy Hagar’s music to be exact, I will start there. Thank you for listening.

If it makes you happy, do more of it.

Music transports us to a place where words cannot go. It lifts our spirits, takes us on a ride—of fantasy or magnified reality.

It gives a name to the darkness of our pain, wings to the exuberance of our joy. It validates feelings we may not know how to articulate. It draws upon these emotions and by the very act of sharing, it renews our souls.

But music is more than a portrait of life. I think music is a separate entity with a “body” and “mind” of its own. This new creation comes to life through the performance of the vocals, the instruments, the lyrics, the notes and through the passion of the musicians as it merges with the personal experience of each listener.

Live music is even more powerful. When our favorite band or singer takes the stage, the outside world seems to stop. We forget our troubles. We are transported to another world.

And we can take that feeling wherever we choose to take it. We can leave it in the auditorium after the show, forget about it after we turn off the CD player, or we can absorb its energy into our hearts and use its influence as an inspiration for finding meaning in our lives.

About Sammy Hagar

March 26, 2009

Inexhaustible Performer

 

 

 

 

 

Samuel Roy Hagar was born on Oct. 13, 1947 in Monterey, CA. Sammy’s dad was a professional boxer who held the title in the bantamweight division in the 1940’s. In his younger years, Sammy had planned on following in his father’s footsteps and he took up boxing—until the call of rock and roll seduced him. After performing with several different bands, he joined guitarist Ronnie Montrose and became the lead singer for Montrose in 1972. Their first album, self-titled “Montrose,” was released in 1973, followed by “Paper Money,” in 1974. Some of the most notable songs from these albums were: “Bad Motor Scooter,” “Rock Candy,” “Space Station #5” and “Rock the Nation.”

From there, Sammy went solo. His album “Nine on a Ten Scale” was released in 1976, with Bill Church on bass and Denny Carmassi on drums.

Sammy continued to build a name for himself in the world of rock music as he tirelessly cranked out one album after the other and enthusiastically toured to share his love of the game.

Some of his best known songs from this era are: “I’ll Fall in Love Again,” “There’s Only One Way to Rock,” “Remember the Heroes” and “Your Love is Driving Me Crazy,” along with what would come to be known as his mantra: “I Can’t Drive 55.”

During that time, his song “Red” earned him the nickname “The Red Rocker.”

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A short tour with HSAS (Hagar, Schon, Aaronson and Shrieve), featuring Journey’s guitarist Neal Schon, along with Michael Shrieve on drums and Kenny Aaronson on bass, produced one album, “Through the Fire,” released in 1984.

In 1985, legendary guitarist Eddie Van Halen contacted Sammy for a jam session. It went so well that Sammy ended up replacing Van Halen’s departing lead singer, David Lee Roth. The band featured Eddie Van Halen on lead guitar, his brother Alex on drums, Michael Anthony on bass and Sammy on lead vocals. Although fans and critics were skeptical that Hagar could carry such a heavy-hitting rock band, in 1986, the newly-formed Van Halen proved themselves a volcanic force in the world of rock music as their first album, “5150” went to number one.

After more than 10 years together, things between the players began to go sour. Sammy and the Van Halen brothers went their separate ways.10-12-06 (14)

Ever the entertainer, Sammy went on to create his own band with his friend, drummer David Lauser, who had been working with Sammy on his solo projects since 1981. The band also included guitarist Victor Johnson, formerly of The Bus Boys (who kicks ass, by the way), Jesse Harms on keyboards and Mona on bass. Calling themselves The Waboritas, they later became known simply as The Wabos.

Between performing and recording with The Wabos, in 2004, Sammy also did a short-lived reunion tour with Van Halen and in 2007, Eddie Van Halen, Alex Van Halen, David Lee Roth, Michael Anthony and Sammy Hagar were inducted into the Rock and Roll Hall of Fame. Sammy and Mikey were the only members present at the ceremony to personally receive the honors.

Sammy’s most recent album, “Cosmic Universal Fashion” was released in 2008.

In June 2009, the supergroup Chickenfoot is poised to release their debut album. With Sammy as frontman, the band boasts guitar virtuoso Joe Satriani, ex-Van Halen bassist Michael Anthony and Red Hot Chili Peppers’ drummer Chad Smith.

To date, Sammy has sold more than 60 million records worldwide.

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Sources: www.redrocker.com, www.billboard.com

Thunder in Our Hearts

May 12, 2010

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We be shakin’ the walls, baby!

It was like an explosion roaring up from the center of the earth and flooding the hearts of everyone in the room. The drum journey was led by professional drummer Gayan Gregory Long and attended by Harley people, rock ‘n’ rollers, writers, homemakers, accountants—those from all walks of life. Wonderful!

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Gayan and I became friends several years ago, when he taught the music portion of a grief workshop I attended after my parents died. The experience was magical to me and it showed me the role music played in my mystical transformation through Sammy Hagar’s concert in 2003. Since then, it has been my goal to help others find this magic for themselves.

Which is why I wrote my book. And also why Gayan and I wanted to present this workshop. There will be many more to come.

 

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I wanted to give people an experience they might not normally have, invite them to step outside of their comfort zones, because you never know where your truths might be hiding. I had hoped that people might lose themselves and rediscover themselves through music like I did. I wanted to show them how sound can open our hearts and teach us new things about ourselves; because you see, I have learned that the avenues to self-awareness are as varied as the stars. So how do we know what’s right for us and what isn’t, if we don’t take the time to look in other directions? You just might discover a new star that no one has ever seen before. Even better, you just might discover that YOU are that new star.

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I watched the faces of the participants as they entered the room and sat down behind their drums. Some looked intimidated; most looked bewildered. But the more they drummed, the more I saw their faces change as their spirits began to integrate some of the drum’s lessons into their hearts.

 

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Then I witnessed smiles emerging, confidence building and warmth spreading throughout the group. Yes!  

The experience was also personal. As I drummed, I felt myself becoming entranced in the beat—so authoritative, so strong, so real. When I quit worrying about whether I was supposed to be using my left hand or my right, or whether there were two bass slaps and one tone or two tone slaps and one bass, my body somehow knew exactly what to do. Apparently this is something I still need to work on—quit trying to be perfect and just be. The more I allowed the rhythm and the sound to take me, the more I recognized that I should be proud of my imperfections, because by struggling to be something I’m not (perfect) I’m not being true to Who I really Am.

I also realized that I’m already perfect in my imperfection, and I should celebrate that fact. I did—through the drum. It was like sending a prayer of gratitude through the vibration, up to heaven.

Gayan taught us simple beats and assigned everyone a job, to sing, shake bells or keep the rhythm. All of us somehow all melted into one hypnotic pulse. And when I became conscious of how good we actually sounded, my soul soared even higher.

 

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During Gayan’s solo, I felt the vibration from his playing on the head of my drum in front of me. Isn’t this so like life? As human beings, we interact with one another and send vibrations between us. Only this time I could actually feel them with my hands, like tangible proof of feelings, as if to say, “Here I am, take me or not,” offered to anyone who needed to claim it without the duality of acceptance or non-acceptance.

 

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 Gayan talked about the sensation of holding the drum between our legs. I was surprised that he addressed this because the first time I held a drum in this manner, I thought something was wrong with me since it felt sort of sexual. I wrote about this in DANCE OF THE ELECTRIC HUMMINGBIRD. But it’s also symbolic. By holding the drum so close to our bodies, we acknowledge the fact that we are bringing it into a very personal space within us. Maybe that’s why it was so magical—its rhythm entered me in a way I’d never known before—just as it had done in the past.

These lessons continue to grow within me and the more I allow myself to go with the flow, the more I learn about life and myself. So I have to ask, “Am I playing music or is music playing me?”

If you fall far enough under its spell, you won’t be able to answer this question.

Chickenfoot’s “Get Your Buzz On Live” DVD Review

May 18, 2010

I assume this is the same concert I saw at the movie theater (sans the bonus footage) last December.

If so, I don’t remember the film being this dynamic at the theater because where Chickenfoot really must be experienced to be appreciated, is live. Or maybe it was the fact that when I watched this at home, the huge sound contained in my small living room almost blew out my windows. And I don’t mean because I had the volume cranked up.

When Joe Satriani, Sammy Hagar, Chad Smith and Michael Anthony break in with “Avenida Revolution,” it always surprises me because it’s such a dramatic entrance. It slams you hard. Now. And it hurts so fine. This time was no exception.

I already wrote about my impression of the movie on the big screen in Movie Review: Chickenfoot Live so I won’t repeat that here. Please see that post if you’re interested.

The bonus material in this DVD is the behind-the-scenes stuff that was missing from the version I saw at the theater. It shows Chad doing man-on-the-street interviews with would-be Chickenfoot “fans.” Holding the mic, which is outfitted with the Chickenfoot logo, Chad asks, “Do you recognize any of these guys?”

“No,” comes the answer from more than one interviewee. Funny stuff.

Then there’s Chad’s photo shoot where he’s dressed up like Will Ferrell in “Elf.” Smith points out that because of the costume, there’s a noticeable elf bulge in his pants, which he concludes isn’t a bad thing, then sits down on the floor and proceeds to literally tear up a snare drum. More funny stuff.

There’s a segment where Sammy visits Bob Weir (of The Dead) and they share a bottle of tequila while chatting about marijuana, among other things. Not sure if they’re stoned in this part of the documentary or not, but they sure are laughing a lot. At one point, Bob picks up a guitar and strums an impromptu melody. Sammy can’t help but jump in, ad-libbing vocals. Now if there’s one thing I’d like to put on my bucket list, it would be being in the room with Sammy and his friends while they’re just jamming like that. I can even feel the vibes through the TV screen.

Mikey is interviewed by Adam Corolla. This was my least favorite portion of the bonus footage, only because I didn’t like how Adam told Mikey he was the weakest link in Chickenfoot. Come on, Adam, Mikey deserves better than that!

Then there’s the “Joe Cam,” where Satriani films odd moments such as Chad’s nightly “flesh wound assessment,” and pans the audience from his onstage perspective. I think I recognized a few faces. And Satch being interviewed by Christopher Guest a.k.a. Nigel Tufnel from Spinal Tap, is amusing.

I also liked the tidbits from various concerts that were scattered throughout. They captured the vivacity—the sheer and commanding over-the-top force that is Chickenfoot in concert.

While I thought some of the interview segments seemed to run on a bit too long, overall, the bonus footage rounds out the DVD nicely, even Chad’s mooning the audience and his demolition of his drum kit at the end. Chad, you maniac! You ROCK!

Great concert video and fun extras.

Chickenfoot is due to record their second album soon and an inside source tells me it’s going to be amazing.

Can’t wait.